Unprecedented projection honours 75th VJ day
A spectacular mapping of Horse Guards Parade in London, broadcast by the BBC, was made possible only by social distancing restrictions.
In a year where a multitiude events across the globe have been postponed or cancelled, a team from Creative Technology (CT) found themselves with just over a month to pull together a large-scale, stadium-size event that would normally take months of preparation.
The UK’s national broadcaster, the BBC, decided to commemorate the 75th anniversary of VJ Day with an audio-visual spectacular located at Horse Guards Parade in London, aired on 15 August. It was an unprecedented opportunity to use this venue, available only because of the unforeseen social distancing restrictions put in place which had halted the usual timetable of parades and public viewing access. CT was thrilled to be able to be a part of creating something both beautiful and monumental for people across the country to witness.
The decision was made by the BBC to cover almost the entirety of the Horse Guards Parade with projection. This scaled from the Old Admiralty building all the way through to Dover House. The huge buildings with complex geometry proved quite a challenge for the modelling team who divided the buildings into three equal sections pitting AutoCAD, Rhino and Modo against each other in a race to complete this colossal task.
Meanwhile, the modelling team provided a high poly mesh of the entire scan, which was then reduced into something usable and dropped into the Mapping Matter software application. The team then used this to create a highly precise study to help determine the number of projectors required to achieve a target lux of 300 and to work out how to minimise any shadows created either by the horse statues in front of Horse Guards or by the lighting towers located in the centre of the parade ground.
CT’s lead projection engineer Matthew Mark worked tirelessly to get all 69 projectors tested and configured in the limited time frame, utilising CT’s MTP 12 core fibre distribution and custom MTP to LC breakout boxes to distribute the main and backup signals to each of the seven towers.
Stage and support structure company NoNonsense was on-hand to build the seven projection towers. Each one standing at an impressive ten metres high and four metres deep, the largest at five bays wide was able to house up to 12 projectors and even all their empty cases too.
Creative Technology was building its most advanced system of this type to date, boasting full 4K multi-viewing of up to 24 sources for both the main and backup server outputs and, even with a job of this size, it was still only at half capacity. The system was designed with a complete redundant signal path, meaning even if the main signal path was lost, the projectors would auto failover to the backup signals.
Nine main display servers were used to produce two 4K outputs per machine. These were then sliced into 8 HD signals, giving 69 main feeds.
Video projection tools specialist VYV UK was on-site as part of the team to help align all 69 31K projectors in the limited time available. This was an opportunity to use all of the company’s Photon media server’s latest features such as multiwindow calibration. This uses structured light to create a 3D scan of the building, a process known as 3D reconstruction. From this information, Photon can align multiple projectors in seconds.
The BBC had constructed a server room on site with over 10,000 BTU of air-conditioning that meant that even on the hottest days the machinesremained at the perfect temperature regardless of their workload.
BBC Events turned to its regular outside broadcast supplier and Creative Technology sister company NEP UK to supply its super expanding OB Unit ‘Ceres’. The large OB unit allowed for a Covid-secure working environment and was based around 24 camera positions with eight cameras moving between numerous positions over each of the six nights of shooting. NEP UK also provided RF links for Steadicams and all RF Comms.
Richard Lancaster, commercial director of NEP UK commented, “It’s always a privilege to work with BBC Events, and this shoot was particularly special, the projection together with the stunning location and acts involved provided some lasting memories for all involved.”
Content for this spectacular was created by Kate Dawkins, Diana Henry and their team of animators. They succeeded in producing 38 sequences of high-resolution content that were shot as the backdrop to the military marching bands and orchestras over the five days of filming.
Will Harkin, project engineer at Creative Technology commented: “I’ve worked on many large-scale projection jobs over the years, but I really feel, despite the limited time available to us, that this was our best one yet! I strongly believe that, without the great team we have at CT, delivering a job of this complexity and size to the high standard we achieved in the timescale we had would be extremely difficult, if not impossible. Hopefully all the passion and expertise put into this project will shine through to the viewers at home as we mark the 75th anniversary of VJ Day.”
Visit the AV Magazine website to stay up-to-date with all the latest AV industry news.
Posted: 3rd September 2020